About Me
- Julia
- Dublin, Ireland, United Kingdom
- Changing behaviour once is an easy task, changing behaviour for life is an honorable journey. Ultimate Goal: To have led an interesting life in interesting times.
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Tuesday, 27 October 2009
We're HERE! WRP Multimedia
Saturday, 24 October 2009
How NOT to: :D
Monday, 19 October 2009
mag production social media feature
NEWS: Alike Minds Conference 16/10/09
SOCIAL MEDIA CONFERENCE ‘HITS’ EXETER
A coffee in Starbucks, Exeter last August sparked two friends to hold the first social media conference in the South West. The conference was advertised using social media sites such as Twitter, Facebook and email only. The cost of the advertising and marketing was nil and attracted 180 delegates from all over the UK, with a ticket price of between £5 and £35 each.
The main theme was based on the ability to make an investment into social media and gain a return. Local businesses and charities sent representatives. Public relations officer, Sarah Parkhouse from the Red Cross said, “We are using twitter already to communicate between offices, but I’m hoping to pick up tips to utilise it further”.
The event, streamed live around the world via Ustream.com, also allowed delegates from the internet community to participate and started with a controversial video from Scott Gould, who introduced himself as ‘nobody’. He prepared participants for some straight talking from speakers and panellists who included a local solicitor James Barisic and Carl Haggerty from Devon County Council.
Trey Pennington, author and Social Media Manager for the Jones Group, informed everyone, hits on social media sites have taken over the number of visits to pornographic sites. James Barisic, from Every’s Solicitors in Exeter spoke candidly about his experiences as co-founder of their PhotoLegal podcast.
Olivier Alain Blanchard, manager of thebrandbuilder.com, gave a demonstration regarding ‘Social Media: Return on Investment’ and was met with mixed reactions. Some felt the social media concept was not a new idea and others spoke out to say they did not feel they, “Had learnt anything new’, but only one person has requested a refund. These questions pre-empted outrage from the internet community following the conference and comments such as, “Without social media you people wouldn’t even be there!” and “How do you think this conference was organised?” were two comments projected regularly onto the large screen behind the panellists.
Most delegates showed more enthusiasm in almost revolutionary tone, one predicting, “National newspapers will disintegrate and we are not going to be led by the nose, by the media anymore”.
Rich Waghorn, creator of twitter-based ‘OutWithABang’, was asked whether he felt social media was partially responsible for the deterioration of the print industry. He replied, “Businesses wishing to thrive in the future can not stop this phenomenon”, then reiterated a recent comment by The Guardian’s Emily Bell, “We are entering the age of participation and journalists must engage”.
Apart from the controversial questions all seemed glued to their seats until realising the Guildhall car park shut at 6pm. The conference finished at 6:30pm, but through the power of new media all were able to recap the nuggets from Sky’s, Maz Nadjm’s final spot on Ustream.com.
LINKS:
http://www.exeterconferencecentre.co.uk/
PHOTO'S TO FOLLOW FACEBOOK IS BUSY CENSORING ME AT THE MOMENT. THEY SIGN THE OPEN INTERNET POLICY, YET FREEZE MY ACCOUNT FOR THREE DAYS FOR NOTHING. GRRR
Thursday, 15 October 2009
Random Poetry for the Magazine 15/10/09
Wednesday, 14 October 2009
Mag Production/Independent Study 14/10/09
Thursday, 8 October 2009
Mag Production 07/10/09
Monday, 5 October 2009
Nothing Moves People like People Moving Together
Mag Production Pastiche 05/10/09
The idea of this piece of work is to hype up our own style. I picked this article because I actually liked the style, it wasn’t as dry as the usual articles in the Economist, plus I am intrigued by Obama and haven’t quite made my mind up about him yet. Politics is one of my weak areas, mainly as I believe that fundamentally they’re all the same and therefore have to make an effort to be interested. There’s another one of my sweeping, inaccurate, offending statements!
After reading through this and considering how I tend to work in general I recognised some key points. My work , left unchecked, is often:
v Grammatically incorrect.
v Badly researched. There are few solid statistics although the original article is full of statistics and quotes.
v I often include something of my own experience and use this to back up my point. I know little about the health system in the US or the proposed reforms, but aged 18 I was working in America teaching outdoor pursuits. I broke my toe in what I would like to say was a heroic adventure, but I was only playing volleyball. I was taken to hospital and luckily had health insurance. I wasn’t in very much pain at all, but a black pregnant woman near me was in agony. They were trying to find ‘someone’ to pay for her care as she had no insurance. They treated me first. I left after having X-Ray’s and perfect treatment about two hours later. As I passed through the waiting area I noticed the black woman was still there, still in agony. I don’t even know the whole story, she could have been an addict who regularly came in cold turkey, but I have still used this experience in my article. It is wrong to do so, for several reasons, but mainly personal opinion in an article disrupts the balance of the article and one incident proves little. If the article is not perceived to be balanced then the writers credibility could be doubted and therefore the ‘facts’ not taken as true.
v Full of strange humour, which is too subtle, and not many people ‘get’. For example I mention the ‘right-wing bangs’, this is to replace ‘right-wing fringe’ in the original article. ‘Bangs’ being a word used for a straight fringe. The article makes no other mention of hair, so it would be difficult to pick up. I sound sarcastic. This will put the reader off, especially if my articles aren’t known for style.
v Has two or more crossed themes, here I’ve crossed references to Jesus Christ with Obama. This is something I love to do, take two different concepts and mix them up and make new metaphors. I could have mixed Obama with references from the movie Grease, but I’ve chosen Jesus to mix with Obama for several reasons.
o I often offend people with non-pc writing
o The new messiah is often said to be black. There are also references to the original Jesus being black and not of Jewish origin.
o Obama came from ‘small’ beginnings, like Jesus. He speaks passionately and is able to motivate and attract huge crowds of people. His story isn’t yet told and I think that he has stirred up such a hornet’s nest within the US and will they ‘kill him if they think he’s lied’. (Jesus Christ Superstar the musical).
o Gallup and the ‘respected analyst’ are like the Apostles and Gospels of today and it made me smile. I used the word prophet for Charlie Cook as Obama claims to have lived as a Muslim. So again badly researched references to major religions, neither of which I am involved in or know very much about.
Again this isn’t a good idea if I don’t want to alienate or confuse the reader.
v I often sound ambiguous about what my opinions are. Here I start as if I disapprove of Obama, then appear to defend him half way through. Finally to discard him altogether. In my attempts to be balanced I often swing from one extreme to another rather than walk a middle line throughout the text.
Ind Study & Work Experience Diary/Tasks 02/10/09
Publishers & Addresses
** = A publisher listed on Amazon which publishes Saxophone related products.
Publisher/Publication | Address & Email | Contact No’s |
A&C Black Publishers ** | ||
Adams Media Corporation ** | ||
Backbeat Books ** | ||
Beckman Visual Publishing DVDs ** | ||
Berklee Press Publications ** | ||
Cherry Lane Music Co. US. ** | ||
Wise Publications Absolute Beginners Alto Sax ** | N/A | |
Music Sales Ltd ** | N/A | |
Shott Music GmbH&Co KG Weihergarten 5, D55116, Mainz ** | 48 Great Marlborough St. London, W1F 7BB | Tel:+49 6131 246-0 Fax: +49 6131 246-211 MPA. 02075340700 |
Stainer & Bell’s | PO Box 110, Victoria House, 23 Gruneisen Rd, Lon, N3 1DZ | +44 020 8343 3303 Sales& Copyright. +44 020 8343 2535 Promotion, library etc. |
AMSCO Music Pub.Co | All contact info seems to be protected! Can’t find anywhere | |
Alfred Publishing (Warner Bro’s Publishing) | ||
Boston Music Publisher ** | ||
C.L. Barnhouse Company | editorial@barnhouse.com Send cover letter, contacts, music title. Full score file in Finale or Sibelius. A ‘live’ performance in MP3 format pref. 205 Cowan Avenue West PO Box 680, Oskaloosa, Iowa, 52577 | (641) 673-8397 |
Carl Fisher Music (Theodore Presser) Dealers:B&H | 65 Bleecker St, NY 100012 | Tel: 212-777-0900 |
David E.Smith Publications | www.despub.com 4826 Shabbona Rd, Deckerville, MI 48427. | PH: 810/376-9055 |
Dover Publications Inc ** | ||
Flame Tree Publishing Co Ltd ** | ||
Words & Music ** | ||
Hal Leonard Publishing ** | 7777 West Bluemound Rd, Milwaukee, Wisconsin, 53213 | 414 774 3630 Fax: 414 774 3259 |
Jamey Aebersold Jazz | Assume publish only ‘Jameys’ work. PO Box 1244 New Albanny, IN 47151-1244 USA | Tel: 1-812-945-4281 |
John Wiley & Sons ** | ||
Kjos Music Company | Neil A Kjos Music Co., Attn: Submissions, PO Box 178270, San Diego, CA92177-8270 | Music for schools, Churches and private music studios. |
Konemann UK Ltd ** | ||
Lorenz Publishing Company | www.lorenz.com 501 East third Street, PO Box 802, Dayton OH 45401-0802 | (800) 444-1144 x 1 |
LTP Publishers Ltd ** | ||
Boosey & Hawkes ** | Aldwych House, 71-91 Aldwych, Lon, WC2B 4HN OR: 295 Regent St, W1B 2JH. www.boosey/shop.com | 020 7054 7200 OR: +44 020 7291 7255 |
Foils ? | ||
Now Publishers Inc ** | ||
Mel Bay Publishing ** | salesUK@melbay.com Office 512 Fortis House, 160 London Road, Barking, Essex, IG11 8BB. email@melbay.com Submissions: Attn:William A. Bay No.4 Industrial Drive, Pacific, MO 63069. | UK:020 8124 1222 |
Music Minus One Accompaniment Music | ||
Prentice Hall & IBD ** | ||
Southern Music Company | ||
The FJH Music Company | custserv@fjhmusic.com Westport Business Park, 2525 Davie Rd, Suite 360, Fort Lauderdale, Fl 33317-7424 (Frank J Hackinson) sales@fjhmusic.com | 800-262-8744 |
Sheet Music Publishers | ||
Harmony & Melody Studio | ||
Too Smart Publications | ||
Oxford University Press ** | Oxford University Press, Great Clarendon Street Oxford, OX2 6DP | (44 1865) 556-767 |
United Music Publishers | www.umusicpub.com 2440 Speulveda Blvd, Suite 220, Los Angeles, CA 90064 | 310-235-4700 |
Universal Music Publishing Group UK | www.universalmusicpublishing.com 20 Fulham Broadway, Lon, SW6 1AH | 020 7835 5200 Fax: 020 8752 2601 |
Chester Music | ||
Trevor James & Co | ||
Universal Edition | ||
CPP/Belwin | ||
Sanctuary Publishing Ltd ** | ||
ABRSM Publishing (part of Musicsales group) Examining Board | Musicroom. info@musicroom.com | +44 01284 725725 |
Camden Music | info@camdenmusic.com 85 Waldegrave Park, Twickenham, TW1 4TJ, UK | UK: 020 8744 9005 Fax: 020 8607 9536 |
Studio Music London | Cadence House, Eaton Green Road, Luton, Bedfordshire, LU2 9LD | +44 01582 432139 0800 389 2484 |
Chappell Music | ||
Novello | ||
Scarecrow Press | ||
Summy Birchard Inc ** | ||
Faber Music Ltd ** | ||
Wadsworth Publishing Co ** | ||
Registry Publications Ltd ** |
